How to Ask Her to Be Your Girlfriend Over Text "Want to make it official? You know, being my girlfriend?".
"Let me know if I'm misreading things, but it seems like you've got feelings for me and I've definitely got feelings for you, and I wondered if you'd like to be my girlfriend?"."We've got really great chemistry and I think we'd be perfect for eachother."I think it's time we take our friendship to the next level."You'll make me the happiest person in the world if you say yes to being my girlfriend."I know you and I would make a great couple." I like you very much, and I'd like you to be my girlfriend.If you're finding yourself at a loss for words, you can use one of these wording suggestions: Don't take their silence as a rejection instead, suggest a specific day when you can check back in to get their answer. Springing an unexpected question on someone means that they might not be ready to answer right away. But, the key to asking her is to make sure you actually ask the question instead of beating around the bush. There's no one right way to ask a girl to be your girlfriend. Was there a falling out with his collaborators or label chiefs? Or did he pose a threat to more established artists on the roster? Unanswered questions and a handful of excellent tracks are all that’s left of “Baby Face” Willette’s checkered and mysterious recording career.Different Wording Suggestions to Communicate Your Feelings And yet, he wholly owned an original and identifiable sound - something quite difficult to achieve in a climate dominated by the innovators of his instrument of choice. How on Earth could such a natural talent fade away into utter obscurity? Willette’s chops were, arguably, on par with the likes of Jimmy Smith and Jack McDuff. Here ‘Tis, 1961Īfter Argo, Willette left recording altogether and made his way back to the live jazz scene in Chicago where he played from 1966 till his untimely death in 1971. Instead, he mysteriously left Blue Note and resurfaced a few years later on the Argo label cutting two more sessions as leader in 1964 - neither hitting the heights of his earlier efforts. With regular creative partners such as Grant Green, Lou Donaldson and Ben Dixon, Willette could have gone on to record several more albums in the same vein, perhaps even exploring larger group settings or varied instrumentation. It was a crying shame he didn’t get to record more for the label. There was no doubting it, the man had the golden touch. Even Willette’s sideman contributions on Lou Donaldson’s Here ‘Tis and Grant Green’s Grant’s First Stand are standout examples of Soul Jazz at its finest. Although it was early in the recording careers of each member, his group played like weathered professionals - effortlessly belting out greasy, gospel-tinged lines in flawless Blue Note fashion.
Willette’s first session, Face to Face, added the earthy, southern swagger of Fred Jackson on tenor - duck calls, squawks and all.īy the time of his debut as a leader Willette had an original sound pinned down - easily giving similar units such as Smith/Burrell and Turrentine/Scott a run for their money. Each group featured Grant Green on guitar and Ben Dixon on drums. Face To Face, 1961Īrmed with a big, bluesy sound and brimming with raw emotion, Willette would go on to lead his own groups on two outings in 1961 - both excellent sessions: Face to Face and Stop and Listen. Willette’s soulful touch on the Hammond B3 reflected his gospel background and would later become a high-water mark, if not a significant footnote, in Blue Note’s storied past. Donaldson, acting as unofficial scout for Blue Note Records, was a catalyst in signing both Willette and Green to the label.
In the late 50s he met soon-to-be labelmates, Lou Donaldson and Grant Green, in New York after a move from Chicago. One thing is for certain, however, his appearance on the jazz scene couldn’t have been more serendipitous. Even his birthplace is disputed - it might have been Little Rock or possibly New Orleans. Roosevelt Willette, aka “Baby Face”, was somewhat of a mystery man.
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